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William A. Hobbs Jaylib - "Champion Sound"
by William Ashanti Hobbs
author and co-owner of Meroen Press
August 2007
This Music Review is sponsored by:
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    1102 S. Adams St., ste.#5 - Tallahassee, FL 32301
    850.222.6940 - www.flavamusic.net
This Music Review is
Sponsored by:

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There comes a time when a certain artist is recommended for you to check out. You give them a listen and, after a while, you put them in rotation on the multi-disc player with the nagging feeling that you're doing so not because you like what you hear that much, but because you've been told it's the thing to like.

Beyond being a respected litmus test in deciphering real hip hop heads from pre-packaged studio drug lords, the re-issued Jaylib classic "Champion Sound"
is an acquired taste that grows in appeal on the strength of its production alone. The tracks have an unsettling darkness that breaks from the standard 16
bars format. This bewilders listeners accustomed to the Radio-Shack-bought, Casio-keyboard, one-handed nursery rhyme-sounding melodies dominating rap songs on today's radio stations. For the more adventurous, the collaboration of the late producer Jay Dilla of Slum Village and Madlib (Jaylib) is replete with
landscapes ranging from obscure blaxploitation comedic acts to synth-heavy, eighties-styled instrumentals.


McNasty Filth starts it off with a moody equivalent of the Jaylib (complete with guest rappers Frank-N-Dank) lifting a leg and marking sonic territory. Nowadayz,
is a smart, yet cynical take on the challenges of modern romance. Champion Sound is a stirring mix of muted b-boy breaks, oriental vocals and rude boy
lyrical flair.

Although the rhymes focus on the standard crime/machismo/females focal points, a quirky sense of humor (The Heist) and the sonic daring of the tracks
(Strapped) gives the feel of catching cutting edge hip hop off a late night college radio show. Surprisingly engaging deliveries on Strip Club, Survival Test and
Starz give such clichéd scenarios a breath of fresh air. Above all, Champion Sound should be checked just to experience what two respected, dangerously unique producers free of pop radio formats are capable of pulling off.


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