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Scarface - "M.A.D.E."
by William Ashanti Hobbs
author and co-owner of Meroen
Press
January 2008
This Music Review is sponsored by:

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When Scarface was asked by T.I. over a live radio
broadcast whether T.I., the now irrelevant Lil'
Flip or Scarface himself should be considered
the "King of South", the legend bowed
out of the controversy, claiming he was "too
old" to be bothered with such titles. Nevertheless,
Scarface's M.A.D.E. reminds many there is something
to be said of those who relish the shadows with
the revered consistency. Coming out with the first
studio album in five years, Scarface does a respectable
job maintaining the nicotine-seasoned, ashy-knuckled,
bloodshot-eyed intensity that made him hard to
shake with his start with the Geto Boys. M.A.D.E.
is a satisfying enough ride for Scarface aficionados
and decent invitation for newcomers to delve into
his catalogue.
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The former Geto Boy's storytelling still chills
the bone with the moving "Suicide Note".
"Who Do You Believe?" aptly questions
the masters we all serve in some way shape or
form. "Girl You Know" bumps with a head
nodding loop from Lenny White's "'Cause I
Love You". The beat draws you in as Scarface
runs through the downsides of relationships with
a ruthless candor that could send recently engaged
men to dark, empty rooms with a stiff drink. "Go"
is more of the same,
coupled with a sympathetic chorus by singer Nina,
one of the few artists Scarface works with on
the album.
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"Dollar" and "Boy Meets Girl"
work well enough to not be considered filler by
any means, yet lacks any surprises. "Never"
appeases Scarface enthusiasts with a pleasing enough
manifesto on his life and philosophy, but for those
who have heard such tales before from other rappers,
M.A.D.E. runs the risk of playing the background.
M.A.D.E. is vital for Scarface connoisseurs. "The
Fix", his last solo album, may be a better
cop for those newly in the know.
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