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India Arie- "Testimony: Vol. 1,
Life & Relationship"
by William Ashanti Hobbs
author and co-owner of Meroen
Press
October 2006
This Music Review is sponsored by:

1102 S. Adams St., ste.#5 - Tallahassee,
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Imagine Maya Angelou's greeting cards of grace
and wisdom taking flight out of a relationship
coming to its crashing end
that constitutes
the core of
Testimony: Vol. 1, Life & Relationship. Arie
has earned the distinction of making one of the
most elegant, mature soundtracks ever to surviving
the breakup of the kind of relationship that has
you imagining what your kids together would have
looked like ("These Eyes").
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Unlike the vase-throwing, car door keying, financial
tally sheet spouting frenzies common with most
R&B female artists venturing in breakup territory,
Arie's
lyrics flow like epiphanies from a woman who knows
the victim/victimizer route isn't enough. Instead,
Arie achieves a hard fought enlightenment with
songs like
"Good Mourning" and "Private Party".
In doing so, Arie maintains the type of beauty
and self-respect that haunts those who look back
over their shoulders,
expecting to find their ex in shambles by their
leaving.
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Arie branches out stylistically
beyond the neo-soul boundaries of her first two
albums. The range is provided by a diverse group
of musicians including
blues standout Keb' Mo', the jazzy Rachelle Ferrell
and bass virtuoso Victor Wooten. In some instances,
she even flirts with a country music's homespun
flavor. This may alienate her from some of her
audience, but if listeners approached the album
with the idea of Arie healing the howling hurt
in all of us, as opposed to rehashes of her debut
Acoustic Soul for some twenty-to-forty female
demographic looking for something to go with their
lattes, every move she
makes will make sense.
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