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William A. Hobbs India Arie- "Testimony: Vol. 1, Life & Relationship"
by William Ashanti Hobbs
author and co-owner of Meroen Press
October 2006
This Music Review is sponsored by:
Flava Music logo
    1102 S. Adams St., ste.#5 - Tallahassee, FL 32301
    850.222.6940 - www.flavamusic.net
This Music Review is
Sponsored by:

Flava Music logo


Imagine Maya Angelou's greeting cards of grace and wisdom taking flight out of a relationship coming to its crashing end… that constitutes the core of
Testimony: Vol. 1, Life & Relationship. Arie has earned the distinction of making one of the most elegant, mature soundtracks ever to surviving the breakup of the kind of relationship that has you imagining what your kids together would have looked like ("These Eyes").


Unlike the vase-throwing, car door keying, financial tally sheet spouting frenzies common with most R&B female artists venturing in breakup territory, Arie's
lyrics flow like epiphanies from a woman who knows the victim/victimizer route isn't enough. Instead, Arie achieves a hard fought enlightenment with songs like
"Good Mourning" and "Private Party". In doing so, Arie maintains the type of beauty and self-respect that haunts those who look back over their shoulders,
expecting to find their ex in shambles by their leaving.


Arie branches out stylistically beyond the neo-soul boundaries of her first two albums. The range is provided by a diverse group of musicians including
blues standout Keb' Mo', the jazzy Rachelle Ferrell and bass virtuoso Victor Wooten. In some instances, she even flirts with a country music's homespun
flavor. This may alienate her from some of her audience, but if listeners approached the album with the idea of Arie healing the howling hurt in all of us, as opposed to rehashes of her debut Acoustic Soul for some twenty-to-forty female demographic looking for something to go with their lattes, every move she
makes will make sense.
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